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Electronic Literature
ENGL 146EL - Winter 2006,  Rita Raley

This course will consider the differences a medium makes to a text: what difference does the machine and machinic processing make? What new formal and generic properties can we see within digital texts? On what basis - computational, formal, institutional, aesthetic, practical, or otherwise - may we group together digital texts into a literary field? After some consideration of precursors to hypertext and the first generation of hypertext authors and critics, we will continue to map out a brief history of the field of digital textuality (or, new media writing), and we will end by studying some of the most technically and intellectually compelling works on the web. Texts and themes that we will study throughout include print hypertexts and artists’s books, combinatorial writing, interactive fiction and text adventure games, linking, narrative, visual poetry, digital poetics, and codework.

GE Area G and Writing Requirement



Transcriptions studio hours, Winter 2006:
Monday: 12-4
Tuesday: 2-4
Wednesday: 4-6
Thursday: 12-4

 

Instructor
Rita Raley

Office and Office Hours
SH 2703
On leave 2012-2013

Location/Time

SH 1415
MW, 12:30 PM1:45 PM

Required Texts

The Eastgate Quarterly Review of Hypertext 1:2 (Mac or Windows version; available in the Transcriptions studio)
Espen Aarseth, Cybertext: Perspectives on Ergodic Literature
N. Katherine Hayles, Writing Machines

Assignments
(more)
20% Participation
25% Midterm Paper
40% Final Project (Web project)
15% Close Reading of an Electronic Text (1 page, single spaced, narrow margins )
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