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Landcape and the Social Imaginary: Romantic Landscape and Cyberspace
ENGL 236 - Fall 2004, Alan Liu
Tue, 9/28
Class 1: Introduction
Readings Due:
John Donne , "A
Valediction: Forbidding Mourning" (1633)
Samuel Taylor Coleridge , "To
the River Otter" (1796)
William Wordsworth , "Composed
Upon Westminster Bridge" (1802/1803)
John Constable , Elm
Trees in Old Hall Park, East Bergholt (1817), Dedham
Vale (1802 ad 1828)
J. M. W. Turner , Slave
Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon
coming On) (1840)
Richard Long's art
"made by walking in landscapes"
Landsat 7 images
Secondary Readings:
W. K. Wimsatt, Jr. , "The Structure of Romantic
Nature Imagery" (1954) (in Bloom)
Tue, 10/5
Class 2: The Idea of Locodescription
Readings Due:
William Wordsworth
An Evening Walk (1788-89)
from Descriptive
Sketches (1791-92) (read lines 589-670)
Salisbury Plain (1793-94)
John Denham , "Cooper's Hill" (1642)
Alexander Pope , "Windsor Forest" (1713)
James Thomson , "Celadon and Amelia" episode from "Summer" in The Seasons (1727)
Dorothy Wordsworth , from Grasmere Journals
(1800-1802)
Ernest Hemingway , "Big
Two-Hearted River"
Secondary Readings:
Alan Liu , "The Locodescriptive Moment,"
from Wordsworth: The Sense of History (1989), pp.
115-28
W. J. T. Mitchell , from "Imperial Landscape" (1994),
pp. 5-21
Tue, 10/12
Class 3: The Problem of the Picturesque
Readings Due:
Pictures byThomas
Gainsborough , Richard
Wilson , William
Gilpin , Thomas
Hearne , Thomas
Girtin , John
Robert Cozens , John
Sell Cotman , John
Crome , John
Glover , Paul
Sandby , Francis
Towne , Joseph
Wright of Derby , John
Constable , J.M.W.
Turner , and other 18th-19th century
British artists (plus pictures from Orthodox ,
Italian Renaissance, and 17th-century
French, Italian, and
Netherlandish
art for historical context—including Claude
Lorrain , Nicolas
Poussin , Gaspard
Dughet , Salvator
Rosa ) [browse these artists in the course online
picture gallery ]
Thomas Gray , Letter to Wharton (1 Oct. 1769),
from Gray's Journal of Lakes Tour
William Gilpin , from Observations, Relative
Chiefly to Picturesque Beauty, Made in the Year 1772,
On Several Parts of England; Particularly the Mountains
and Lakes of Cumberland, and Westmoreland (1786)
Uvedale Price , from Essays on the Picturesque
(1810)
Richard Payne Knight , from The
Landscape, A Didactic Poem (1795)
Secondary Readings:
Stephen Copley and Peter Garside , "Introduction"
to The Politics of the Picturesque: Literature, Landscape
and Aesthetics Since 1770 (1994)
Sidney K. Robinson , Inquiry into the Picturesque
(1991), pp. 1-27, 119-25, 143-45
Alan Liu , "Classic Repose," "The
Baron's Window," and "Supervision of the Picturesque,"
from Wordsworth: The Sense of History (1989), pp.
65-95
Ann Bermingham , "System, Order, and Abstraction:
The Politics of English Landscape Drawing around 1795"
(1994)
Tue, 10/19
Class 4: Wordsworth and Coleridge: Imagining Landscape
Readings Due:
William Wordsworth
The Ruined Cottage (1797-98)
Transcriptions from MS. B of Ruined Cottage :
(a) beginning of poem; (b) drafts for a "moral
addendum"
"Lines Written a Few Miles Above Tintern Abbey"
(1798)
"The Two April Mornings" (1798-99)
Samuel Taylor Coleridge
Secondary Readings:
W. K. Wimsatt, Jr. , "The Structure of Romantic
Nature Imagery" (1954) (in Bloom; reread)
M. H. Abrams , "Structure and Style in the Greater
Romantic Lyric" (1965) (in Bloom)
Geoffrey H. Hartman , "Wordsworth, Inscriptions,
and Romantic Nature Poetry" (1965)
Paul de Man , "Intentional Structure of the
Romantic image" (1960) (in Bloom; translations of passages
in French and German are in the reader)
Tue, 10/26
Class 5: "Possible Sublimity"
Readings Due:
Longinus , from Peri Hypsous (1st century
A.D.)
(see also section
7 of Longinus)
Edmund Burke , from A Philosophical Enquiry into
the Origin of Our Ideas of the Sublime and Beautiful
(1757), Part I; Part II, Sections 1-9; Part 4, Sections
1-20
Immanuel Kant , from Critique of Judgment
(1790)
William Wordsworth
The Two-Part Prelude (1799) (also quickly
read the 1805 Prelude , Books 1-2 and Book 11, ll.
257-388)
The Prelude (1805), Books 4-6 and Book 13,
lines 1-122
Painters
Richard Wilson , The
Destruction of Niobe's Children
John Martin , paintings
Secondary Readings:
Thomas Weiskel , from The Romantic Sublime:
Studies in the Structure and Psychology of Transcendence (1976),
pp. xi-xv, 22-33
Tue, 11/2
Class 6: Constable
Readings Due:
John Constable
Paintings, sketches, and studies, including the six-footer
series (The
White Horse , Stratford
Mill , The
Hay-Wain , View
on the Stour , Boat
Passing on a Lock , The
Leaping Horse ), Hadleigh
Castle , Salisbury
Cathedral from Meadows , and cloud
studies . (Browse Constable
in course image gallery; also see Constable
photos )
Secondary Readings:
Ann Bermingham , from Landscape and Ideology:
The English Rustic Tradition, 1740-1860 (1986), pp.
87-116, 126-47
Tue, 11/9
Class 7: Turner
Readings Due:
Joseph Mallord William Turner
Paintings, watercolors, and studies, including Fishermen
at Sea (1796), Calais
Pier (1803), The
Shipwreck (1805), Snowstorm:
Hannibal and His Army Crossing the Alps (1812),
Frosty
Morning (1813), Dido
Building Carthage (1815), Regulus
(1828-29), Ulysses
Deriding Polyphemus (1829), The
Evening Star (1830), Life-Boat
and Manby Apparatus (1831), Burning
of Houses of Parliament (1834), Interior
at Petworth (c. 1837), Norham
Castle, Sunrise (c. 1835-40), Rough
Sea with Wreckage (c. 1840-45), Slavers
Throwing Overboard the Dead and Dying—Typhoon
Coming On (1840), Peace
- Burial at Sea (1841), Snow
Storm - Steam-Boat off a Harbour's Mouth (1842), The
Sun of Venice Going to Sea (1843), Shade
and Darkness: The Evening of the Deluge (1843), Light
and Colour (Goethe's Theory): The Morning After the
Deluge (1843), Rain,
Steam, and Speed—The Great Western Railway
(1844), The
Angel Standing in the Sun (1846) (Browse Turner
in the course image gallery)
Secondary Readings
John Walker , from introduction to Joseph Mallord
William Turner (1976), pp. 13-38
Ronald Paulson , "Turner's Graffiti: The Sun
and Its Glosses" (1978)
II. New Forms of Landscape
Tue, 11/16
Class 8: Contemporary Land Art
Readings Due:
Robert Smithson , "A
Provisional Theory of Non-Sites" (1968)
and excerpt from "The
Spiral Jetty" (1972; requires course login)
Andy Goldsworthy , Introduction
to A Collaboration with Nature (1990) and
study
gallery with related portfolios (requires course
login)
Richard Long , Homepage and
excerpt from Five
Six Pick Up Sticks (1980; requires course login)
Contemporary Land Artists study
portfolio : including Robert Smithson, Micheal
Heizer, Nancy Holt, Mary Miss, James Turrell, Michael
Singer, Richard Long (requires course login)
Secondary Readings
Robert Rosenblum , "Abstract Expressionism," in
his Modern Painting and the Northern Romantic Tradition:
Friedrich to Rothko (1975)
Dennis Costanzo , "Beyond Landscape Painting:
Recent Tendencies in the Visual Arts" (1994)
Sidney K. Robinson , Inquiry into the Picturesque
(1991), pp. 1-27, 119-25, 143-45
(reread)
Tue, 11/23
Class 9: Travels in Techno- and Cyberspace
Readings Due:
Albert Borgmann , Holding On to Reality:
The Nature of Information at the Turn of the Millennium (1999),
pp. 1-6, 24- 37
Walter Benjamin , "The
Work of Art in the Age of Mechanical Reproduction" (1936)
Wolfgang Schivelbusch , The Railway Journey:
The Industrialization of Time and Space in the 19th Century (1977),
pp. 16-44, 52-63
Rebecca Solnit , River of Shadows:
Eadweard Muybridge and the Technological Wild West (2003),
pp. 38-100
Jean Baudrillard , America (1986),
pp. 1-11, 27-29, 56-57, 66-73
Sue Thomas , Hello World: Travels
in Virtuality (2004), pp. 13-58, 227-66
Tue, 11/30
Class 10: Virtual Landscape
Readings Due:
lambdaMOO : venture as a guest into lamdaMOO—at
least as far as reading the tutorial and trying the interface.
Use a telnet client to go to lambda.moo.mud.org, port 8888 (most
computers have a telnet client installed, in which case
clicking on the above link in a Web browser should open
it; to log on as a guest in lambdaMOO, type "connect guest")
Charlotte (Char) Davies , Osmose (1995):
Osmose Web
site
Christiane Paul , Digital
Art , pp. 125-27
Oliver Grau , Virtual
Art, From Illusion to Immersion (2003), excerpt
Rand and Robyn Miller , Riven (1997) [to be shown
in class]
An
Atlas of Cyberspace and Cyber Geography
Research (explore visualizations of networking)
Tue, 12/7
Assignment Due: Essay
(10-12 pp., due Dec. 7 in instructor's mailbox)