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Electronic Literature
ENGL 146EL - Spring 2008,  Rita Raley

This course will consider literature for which the computer is both the composition and the delivery medium. What formal, generic, and aesthetic properties can we see in texts written in production environments such as Flash? What are the central issues and questions for the field of electronic literature as a whole? What are its links to print-based experimental writing practices? After some consideration of precursors to hypertext and the first generation of hypertext authors and critics, we will continue to map out a brief history of electronic literature and move to studying some of the most technically and intellectually compelling works on the web. Toward the end of the term, we will expand our study of screen-based literature to think about literature beyond the screen as well (e.g. SMS texts & performances and GPS writing). Texts and themes that we will study include print hypertexts, combinatorial writing, interactive fiction and text adventure games, experimental narrative, visual poetry, new media poetics, codework, and 3D writing.

GE Area G | Writing Requirement | LCI Specialization



Transcriptions studio hours, Spring 2008
Monday: 10-2
Tuesday: 11-3
Wednesday: 9-11, 1:45-3:45
Thursday: 11-3

 

Instructor
Rita Raley

Office and Office Hours
SH 2703
On leave 2012-2013

Location/Time

SH 1415
TR, 11:00 AM12:15 PM

Required Texts

The Eastgate Quarterly Review of Hypertext 1:2 (Mac or Windows version; available in the Transcriptions studio)
Espen Aarseth, Cybertext: Perspectives on Ergodic Literature
N. Katherine Hayles, Electronic Literature: New Horizons for the Literary

Assignments
(more)
20% Participation
25% Midterm Paper
40% Final Project (Web project)
15% Close Reading of an Electronic Text (1 page, single spaced, narrow margins )
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