layer hidden off the screen
UCSB English Department Home UCSB English Department Home UCSB English Department Home
   Reader Icon = Reader | Online Reading Icon = Online Reading    
English 10 Literature and Culture of Information: Textual Genealogies
ENGL 10LC - Winter 2006,  Kimberly Knight

Tue, 1/10
Introduction

Course Overview and Discussion - "What is a text?"

 
Materiality and Media-Specific Analysis
Thu, 1/12
Writing Machines

Terms: New media, technotext, material metaphor, hypertext, media-specific analysis

Readings Due:
N. Katherine Hayles, Writing Machines, Preface, Ch. 1, Ch. 2 and Lexicon Linkmap, (p 4 – 33, 72)
Hayles, Writing Machines Online Lexicon Linkmap; peruse linkmap with particular attention to materiality and form (click on web supplement and then on the picture of the open book to access the linkmap) Online
Erik Loyer, “Webtake” on Writing Machines; read webtake with particular attention to materiality and form. Online
Reading Eye Dog; browse site to get a sense of the Reading Eye Dog’s purpose and its status as technotext. Online

Recommended Readings:
Lev Manovich, excerpt from The Language of New Media. Online

 
ImageText
Tue, 1/17
Visual Genealogies: Shaped Poetics and the ImageText

Group Wiki Presentation - Marvel 1602

Readings Due:
George Herbert, “The Altar” and “Easter Wings” Online
William Blake, “Introduction” (Songs of Experience) and “The TygerOnline
Stephen Mallarmé, "One Toss of the Dice Will Never Abolish Chance"Online
Neil Gaiman, Marvel 1602, Peter Sanderson’s Introduction and Parts 1 & 2.
W.J.T. Mitchell, excerpt from Picture Theory (p 89-107)Online
Scott McCloud, excerpt from Understanding Comics (Ch 6 p 138 – 161) Online

Thu, 1/19
Marvel 1602

Terms: shaped poetics, imagetext, frame, disjunction, synthesis, heterogeneous representation.

Readings Due:
Neil Gaiman, Marvel 1602, Parts 3 – 8, Afterword, browse Script and Sketches
Scott McCloud, Excerpts from Understanding Comics. Online

 
Poetry
Tue, 1/24
Poetic Genealogies: Romantic and Victorian Poetry, Modernist Poetry

Readings Due:
William Wordsworth, “The Solitary ReaperOnline
Christina Rosetti, “Cousin KateOnline
Gerard Manley Hopkins, “Duns Scotus's OxfordOnline
Ezra Pound, “In a Station of the MetroOnline
H.D. (Hilda Doolittle), “Mid-dayOnline
Wallace Stevens, “Of Modern Poetry” and “Disillusionment of Ten O'ClockOnline
William Carlos Williams, “This is Just to SayOnline
e.e. cummings, “r-p-o-p-h-e-s-s-a-g-rOnline
Gwendolyn Brooks, “We Real CoolOnline
Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction” (Preface and Sections 1 – 5)Online

Recommended Readings:
Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction” (Sections 6 – 15 and Epilogue)Online

Thu, 1/26
New Media Poetry

Group Wiki Presentation - New Media Poetry

Terms: rhythm, free verse, tropes (include metaphor, metonymy, simile, personification, and synecdoche), poetic diction, cacophony, euphony, modernism, postmodernism.

Readings Due:
Peter Howard, "A Poppy"; Also read the plain text version. Online
Dan Waber, "Strings"Online
Komninos Zervos, "Invention (CyberPoetry)"Online
Ana Maria Uribe, Select 2 - 3 Anipoemas at Vispo.comOnline
Bob Grumman, “MNMLST PoetryOnline

Mon, 1/30
Monday, January 30th: Draft of Paper One Due by 5:30 PM

Monday, January 30th
A full-length (i.e. minimum four page) draft of Paper One to be posted to the class forum no later than 5:30 PM.

Please read your workshop partner's draft before coming to class on Tuesday.

 
The Novel
Tue, 1/31
Frankenstein

Paper Workshop - Bring two copies of a full-length draft of your paper to class.

Readings Due:
Mary Shelley, Frankenstein, Editor’s Preface, Author’s Preface and Vol I of Frankenstein (p vii – 59).
Read your paper workshop partner's paper prior to coming to class.

Recommended Readings:
Sandra Gilbert and Susan Gubar, “Mary Shelley’s Monstrous Eve” in Frankenstein (p 225 – 241).
Barbara Johnson “My Monster/My Self” in Frankenstein (p 241 – 251).

Thu, 2/2
Frankenstein Part II

Group Wiki Presentation - Frankenstein

Terms: realism, narrative, epistolary novel, gothic, linearity, aporia, epiphany.

Readings Due:
Mary Shelley, Frankenstein, Vol II (p 59 – 102).

Fri, 2/3
Friday, Feb 3: Paper One Due



Time: 5:05 PM-5:30 PM

Friday, Feb 3
Paper One is due via email no later than 5:30 p.m. No Exceptions.
Email in Word format (file extension .doc) to: kimberly_knight@umail.ucsb.edu

Tue, 2/7
Frankenstein Part III and Patchwork Girl

Readings Due:
Mary Shelley, Frankenstein, Volume III (p 103 – 157).
Donna Haraway, “Cyborg ManifestoOnline
Familiarize yourself with the layout and workings of Shelley Jackson, Patchwork Girl (available in the Transcriptions Studio).

Thu, 2/9
Patchwork Girl

Group Wiki Presentation - Patchwork Girl

Terms: Interactive fiction, closure, reading paths, heterarchy, linking mechanism

Readings Due:
Shelley Jackson, Patchwork Girl. Available in the Transcriptions Studio.
Espen Aarseth, excerpt from Cybertext: Perspectives on Ergodic Literature (Ch 4 p 76 – 97). Online


Recommended Readings:
Alan Sondheim and Stelarc "On Stelarc". Online
N. Katherine Hayles, Writing Machines, Ch 7 (p 100 – 108).

Tue, 2/14
l0ve 0ne

Group Wiki Presenation - l0ve 0ne

Readings Due:
Judy Malloy, l0ve 0ne. Online
Marshall McLuhan, “The Medium is the Message.” Online

Thu, 2/16
253

Terms: interface, setting, spatial writing, hot and cool media, ideology.

Readings Due:
Geoff Ryman, 253. Online
Bill Nichols, “The Work of Culture in the Age of Cybernetic Systems.” Online

Tue, 2/21
Neuromancer

Group Wiki Presentation - Neuromancer

Readings Due:
William Gibson, Neuromancer, parts 1- 2.
N. Katherine Hayles, “The Seduction of Cyberspace.” Online

Thu, 2/23
Neuromancer Part II

Terms: narrator, point-of-view, cyberpunk, cyberspace, visual narrative, identity.

Readings Due:
William Gibson, Neuromancer, Part 3 and Coda.
Michael Heim, “The Erotic Ontology of Cyberspace.” Online


Recommended Readings:
Julian Dibbell, “A Rape In Cyberspace; or How an Evil Clown, a Haitian Trickster Spirit, Two Wizards, and a Cast of Dozens Turned a Database into a Society.” Online

Mon, 2/27
Monday, Feb. 27th: Draft of Paper Two Due

Monday, February 27th
Draft of Paper Two is due in the online class forum no later than 5:30 p.m.

 
Film
Tue, 2/28
Robot Stories

Screening of Robot Stories

Readings Due:
Lisa Nakamura, “Race In/For Cyberspace.” Online
Cameron Bailey “Virtual Skin.” Online

Wed, 3/1
Wednesday, March 1st: Online Peer Review of Paper Two Due

Wednesday, March 1st

Respond to your paper workshop partner's online draft in the class forum no later than 5:30 p.m.

Thu, 3/2
Robot Stories Part II

Group Wiki Presentation - Robot Stories

Terms: lighting, dialogue, editing, transition, shot, camera movement, camera angle, focus.

Fri, 3/3
Friday, March 3: Paper Two Due by 5:30 pm

Friday, Mar 3
Paper Two is due via email no later than 5:30 p.m. No Exceptions.
Email in Word format (file extension .doc) to: kimberly_knight@umail.ucsb.edu

 
Short Fiction and the Narrative of Play
Tue, 3/7
Short Stories

Group Wiki Presentation - Short Stories

Readings Due:
Jorge Luis Borges, “The Garden of the Forking Paths.” Online
James Tiptree Jr. (Alice Sheldon), “The Girl Who Was Plugged In.” Online
Larissa Lai, “Rachel.” Online

Recommended Readings:
Charles Saunders, “Why Blacks Should Read (and Write) Science Fiction.” Online

Thu, 3/9
The Narrative of Play

Group Wiki Presentation - Gaming

Terms: subculture, gaming.

Readings Due:
Nick Montfort, “Winchester's Nightmare.” Online
Linden Labs, Second Life (register for a free basic account and spend a couple of hours playing). Online
James Paul Gee, “Why Game Studies Now? Online


Recommended Readings:
Dick Hebdige, “The Function of Subculture.” Online
David J. Leonard, “Not a Hater, Just Keepin It Real: The Importance of Race- and Gender-Based Game StudiesOnline
Celia Pearce, “Productive Play: Game Culture from the Bottom UpOnline
Joost Raessens, “Playful Identities, or the Ludification of CultureOnline

 
Web Project Presentations
Tue, 3/14
Web Project Presentations, Part I

The class will present their web projects-in-process and receive feedback. Draft of Web Project Due

Thu, 3/16
Web Project Presentations, Part II

The class will continue to present their web projects-in-process and receive feedback.

 
Final Exams Week
Wed, 3/22
Final Exam



Time: 12:00 PM-3:00 PM

Wednesday, March 22

The class will finish up any outstanding web presentations

Extra Credit Final Exam: An extra credit final exam will follow the web presentations and will consist of multiple choice and short answer questions on terminology and texts from the entire quarter.

Thu, 3/23
Web Projects Due

Web projects are due (i.e. must be online) by 11:59 p.m.



Click to format the
page for projection.
Click to return to the
default page view.